古往今来,大凡在艺术上有所成就者,必定能处理好继承与创新的关系问题,书法当然也概莫能外。在不同的阶段,二者应有所侧重,更应保持长期互相渗透、互相促进。否则,一旦失之偏颇,则容易误入歧途。传统中的精华,是每位书学者必须汲取的营养,舍此便成无本之木、无源之水,不足以言书法。孙过庭《书谱》中云:“余志学之年,留心翰墨,味钟、张之余烈, Throughout the ages, people who have made great achievements in the arts will certainly be able to handle the relationship between succession and innovation. Calligraphy, of course, can not be done without exception. At different stages, the two should have their own focus. In addition, they should maintain long-term mutual penetration and promote each other. Otherwise, once lost, it is easy to go astray. The essence of the tradition is that every book learner must learn the nutrients that make it a woodless, passive water, not enough to calligraphy. Sun Chaotian ”book“ in the cloud: ”Yu Chi school years, pay attention to John ink, taste bell, Zhang Yu Lie,