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近年来,国内影视剧中以现实主义题材为噱头,强调阶层间差距的电视剧层出不穷。其“艺术化”地夸张所谓社会现实,挑逗受众的阶层敏感意识,以获得关注度和收视率。本文针对这一现象,以热播电视剧《欢乐颂》为例,分析探讨影视剧阶层观念对受众在价值观、消费观、婚恋观、就业观等方面产生的影响,望可以为影视剧创作中的阶层刻画尺度提供参考。近段时间文学作品翻拍热不断升温,许多网络热门小说被搬上电视荧屏,其中内容、制作水平良莠
In recent years, the domestic film and television plays with realism as a gimmick, emphasizing the gap between the epics of television series after another. Its “art ” to exaggerate the so-called social reality, sensitize the audience’s sense of class sensitivity in order to obtain attention and ratings. In view of this phenomenon, this article takes the hit TV series “Ode to Joy” as an example to analyze and discuss the influence of the concept of film and television drama class on the audience in terms of value, consumption, marriage, employment and so on. To describe the scale for reference. Recently, literary remake of the heat continues to heat up, many popular online novel was put on the TV screen, content, production level of good and bad