谈到山水精神，在我的创作中，似乎应该首先是一方水土一方情和我对北方乡关的情深意长。乡关的情深意长对所有的画家来说具有普遍意义。面对北方这块土地的乡关深情就具有一种极其特殊的意义。这要从山水画的历史看待这个问题。翻开中国绘画史，北方这块土地没有得到过比较成 When it comes to the spirit of landscapes, it seems that in my creation I should first and foremost be the party of earth and water on one side and my affectionate and profound understanding of the township on the north. Township affection for all the painter has universal significance. The face of the land of the north of the township deep affection has a very special significance. This should be viewed from the history of landscape painting this issue. Open the history of Chinese painting, this piece of land in the North has not been compared