张艺谋导演沉寂三年之后,携《归来》“归来”。这部改编自严歌苓的小说《陆犯焉识》的影片,在上映之前就已经被宣传得风生水起。影片登陆院线后,更是引发了各界热议,这包括对电影本体的叙事与美学探究,包括对小说与电影的传承改编关系的考量,还包括对“文革”的回首与反思,以此又引发出一系列螺旋般关于历史问题、意识形态、人性伦理的热烈讨论,而这构成了在影迷之间的舆论效应。而观影的舆论效应与现象电影这一近期业界关注热点紧密相连。 Director Zhang Yimou silent three years later, with “return” “return ”. This adaptation of Yan Geling’s novel “Lu Ren Yan” of the film, prior to the release has been advertised quickly. After the film landed on the cinema, it even aroused heated discussions from all walks of life. This includes the narration and aesthetics of the film ontology, including the consideration of the relationship between the adaptation of the novel and the film, as well as the retrospect and reflection on the “Cultural Revolution” In turn, this triggered a series of spiral-like heated discussions on historical issues, ideology and human nature ethics, which formed the media effect among fans. However, the public opinion effect of the filming is closely linked with the phenomenon film “Movie”, which is the focus of the recent industry.