社会性别视角的引入,为女性形象的研究打开了另一扇窗户。《三国演义》、《水浒传》、《西游记》、《金瓶梅》这四部作品都不同程度地描写了部分女性形象,将它们作为一个有机的整体,用女性主义批评中的社会性别理论去分析小说文本中的女性形象及其女性意识,进而研究作家的创作视角和女性观,探求明代女性意识发展的轨迹。 The introduction of a gender perspective opens up another window for the study of female images. The four works of The Romance of the Three Kingdoms, The Outlaws of the Marsh, Journey to the West, and Jin Ping Mei all described the female images in varying degrees and analyzed them as an organic whole with the gender theory in feminist criticism The female image and the female consciousness in the text of the novel, and then to study the author’s creative perspective and the female view and explore the trace of the female consciousness development in the Ming Dynasty.