本文以南阳汉画的画像和石墓的位置环境为出发点,讨论了汉代人围绕着墓葬形式而显示出来的生存意识和生死观念。讨论了推生事死,以现实生活为依据的对死后生活的安排;墓葬与灵魂升仙的关系以及墓葬营造过程中注重风水,葬先以荫后等问题。还提出了建造石室与当时人以为仙人所居石室之间相关的新的论说。 Based on the portraits of Nanyang Han painting and the location and environment of the stone tomb, this article discusses the consciousness of life and the concept of life and death shown by the Han dynasties around the form of the tomb. Discusses the arrangement of post-mortem life based on real life, the relationship between grave and soul ascended celestial being, and the emphasis on geomancy during funeral and the funeral after the funeral. Also put forward the construction of stone chamber and then people think that immortal stone chamber between the new argument.