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当下中国现代文学的研究已从20世纪70年代以前附属于政治意识形态的“研究”和80年代启蒙话语影响下展开的“研究”之双重覆盖下走出来,进入新的阶段,在过去“研究”中存在的偏向和缺席也逐渐被自觉,成为克服/填补的对象了。这一情况也可能将巴金研究推至新的阶段。其中最重要的研究姿势是,将所有的问题从先入为主的固定观念中解放出来,重新加以审视,尤其是对于权力、意识形态、政治等“非文学”概念的冷静对象化至关重要。这些概念或多或少带有时代语境的支配而形成其“负面”意象。一旦脱离如此时代性和特定语境的支配时,我们就可以知道对于这些“非文学”概念的漠视甚至于无视只能导致“文学”本身的贫瘠;如果不把这些“非文学”的概念从“文学”里一概地加以排除,关于文学研究方法、视角的可能性就会增大。如此研究姿势,在某种意义上,就意味着从80年代启蒙话语的偏离。今后巴金研究的起点,也可以放在如此认识上。
The contemporary research of Chinese modern literature has come out from the double coverage of “research ” attached to political ideology and “research ” under the influence of enlightenment discourse in the 1980s, and entered a new stage. In the past “research ” in the existing bias and absence are gradually being conscious, to be overcome / fill the object. This situation may also push Ba Jin’s research to a new stage. One of the most important research positions is to liberate all the problems from preconceived notions of fixedness and reexamine them, especially for the calm objectification of the concept of “non-literary” such as power, ideology and politics. These concepts form their “negative” images more or less dominated by the contemporary context. Once we are free from the domination of such a contemporary and specific context, we can know that ignoring or even ignoring these “non-literary” concepts can only lead to the barrenness of “literature” itself. The concept of “literature” is completely ruled out from “literature”, and the possibility of literature research methods and perspectives will increase. Studying the gesture in this way, in a way, means deviating from the discourse of enlightenment in the 1980s. The starting point for the study of Ba Jin in the future can also be placed on such understanding.