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白先勇作为当代著名小说家兼旅美异乡人,他的作品在融合乔伊斯、亨利詹姆士、福克纳等西洋大家创作经验的同时,字里行间常常在苦恋过去的浓重哀愁中致敬传统。而《牡丹亭》作为中国传统戏曲中的国色天香,更是让白先勇为之深深痴迷。研究白先勇对于《牡丹亭》的评论研究从而探索其小说同《牡丹亭》的内在关联,对于传承弘扬我国的传统文化观念与小说艺术具有不可忽视的重要意义。
As a well-known contemporary novelist and a stranger to the United States, Bai Xianyong’s work combines the creative experiences of all the western people, such as Joyce, Henry James, and Faulkner. At the same time, Bai Xiangyong often pays homage to the tradition of heavy sorrow over the past. The “Peony Pavilion” as the traditional Chinese opera in the natural beauty, but also let Bai Xianyong deeply obsessed with it. Studying Bai Xianyong’s comment on “Peony Pavilion” and exploring the intrinsic relation between his novel and “The Peony Pavilion” can not be neglected for inheriting and promoting our traditional culture concept and novel art.