“监禁状态”构筑了大江健三郎的早期文学世界。本文通过探讨这个主题的获得、生成、衍变及其内在必然性,发现大江意在强调：战后日本社会是暧昧而执拗的“监禁状态”,而“我”、亦即“日本青年”已经失去了对这样时代的意识。既然渐渐失去敌意是“监禁状态”带来的最具杀伤力的恶果,那么就有必要像鲁迅要唤醒昏睡在铁屋子里的人们一样,唤起被封闭在其中的人们的“危险的感觉”。在人们身处危险境地却浑然不觉时,这种“唤起”正是大江战后再启蒙意识的显现。 “Imprisonment State” built Kenzaburo Oe’s early literary world. By discussing the acquisition, formation, evolution and inherent necessity of this theme, I find that Daiei intends to emphasize that post-war Japanese society is an ambiguous and stubborn state of “imprisonment,” and that “I” or “Japanese youth” has been lost Awareness of this age. Since the gradual loss of hostility is the most lethal consequence of the “state of imprisonment,” it is necessary to arouse the “dangerous feeling” of those who are trapped in the same way that Lu Xun wants to awaken the people who sleep in the iron room. This kind of “arousing” is the manifestation of the awareness of Enlightenment after the war in the Great River, which was unaware of when people were in danger.