华君的画画得真够大胆,每件作品都不被法拘,不为形囿,抑扬跌宕,恣肆淋漓。但又画得凝重沉厚,蕴藉华滋,做到了雄奇而不失粗旷,简括而不流于疏漏,举凡传统写意画所强调的以情驱笔,气力相合,以简驾繁,得意象外等审美理想,都得到了充分的体现。所以看华君的画,给人的突出感受是既不失东方艺术的神髓,又跳动着时代的节奏,这是一束植根于沃江中的生命之花,它开得热烈,开得绚丽,也开得顽强。 Huajun drawing really bold enough, each piece of work are not arrested by law, not for the shape, inhibitions ups and downs, unbridled dripping. However, the paintings are thick and heavy, Yun Hua Zi, to achieve the magnificent yet wilderness, concise rather than negligence, as exemplified by the traditional freehand brushwork emphasizing love, penmanship, to Jane Fanfan, proud As the aesthetic ideal, have been fully reflected. Therefore, to see Huajun’s paintings gives people a prominent feeling is that they not only lose the marrow of oriental arts, but also beat the rhythm of the times. This is a flower of life rooted in the Wo Jiang. To be brilliant, but also open tenacious.