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中国美术在20世纪的现代性转型与开拓,离不开广西提供的独特的自然环境与人文风貌。譬如,从齐白石、徐悲鸿等开始的山水画的现实性转向,最终是以李可染、白雪石、黄独峰和阳太阳等以阳朔岩溶地貌作为具有鲜明地域性特征的山水画,从而使沿袭传统笔墨的山水画获得了地域特征与笔墨个性相统一的新拓展。再譬如,三四十年代形成的桂林抗战文化城现象,是广西盆地边缘高耸的山脉所形成的天然屏障阻隔滞缓了外敌的入侵,这个天然
The transformation and development of Chinese art in modernity in the 20th century can not be separated from the unique natural environment and humanistic style provided by Guangxi. For example, the realistic turning of landscape paintings starting from Qi Baishi and Xu Beihong etc. finally took the Yangshuo karst landform as the landscape painting with distinctive regional features such as Li Keran, Bai Xueshi, Huang Dofeng and Yang Taiyang so as to obtain the landscape painting which followed the traditional brushwork New Development of the Unity of Regional Features and Pen and Ink Personality. For another example, the formation of the Anti-Japanese War Cultural City in 1940s and 1940s was characterized by the natural barrier formed by the towering mountains on the edge of the Guangxi basin, which delayed the invasion of foreign enemies. This natural