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学习小提琴的每一个人都知道,在学习过程中,右手训练永远都是一个重要的课题,是每个成功者必须掌握的一门重要技术难点,那么除了正确的拿弓姿势和自然的放松的运弓外,各种弓段上的运弓技巧就成为我们学习的重中之重,它是我们演奏更多更好更难的音乐作品的奠基石。同时,大量的炫技作品也都是通过这些右手技术性弓法完成的。本文通过右手运弓上的技术难点加以分析,希望学习者在今后的学习中能够更好地掌握及运用。
Everyone who learns the violin knows that during the learning process, right hand training is always an important issue and an important technical difficulty that every successful person must master. In addition to the correct bow posture and natural relaxation In addition to bowing, bowing techniques on various bow segments have become the top priority of our study. It is the cornerstone of our musical works that play more, better and harder. At the same time, a large number of Hyun works are also completed through these right-handed bow techniques. This paper analyzes the technical difficulties on the right hand arch, hoping that learners can better grasp and use in the future study.