当代油画艺术的意象审美倾向已成为探索油画民族化的重要课题之一。作为油画艺术工作者,长期以来我在创作实践中对“意象”这种神奇的审美诱惑进行了认真的探究,最终回到孤独苦涩的理性里重新审视自我、发现自我,成为了我的一种责任,在时代的审美纬度里重新理解传统,成为了一种专业之道。 The aesthetic tendency of contemporary oil painting art has become one of the important topics to explore the nationalization of oil painting. As a painter of oil painting, I have, for a long time, conscientiously probed into the magical aesthetic temptation of “Imagery” in the practice of creation and finally returned to the lonely and bitter reason to re-examine myself, discover myself and become mine A responsibility to re-understand tradition in the aesthetic latitudes of the times has become a profession.