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文中“丑”字的真正含义:是没有修养的胡言乱语,而不是成熟后的幽默。如果把丑书这样的丑高置于其中当成鲜花让人欣赏,那是对艺术的亵渎,对社会环境是一种污染,对青少年一代是一种误导。我们现代流行的丑书是无法度、无技巧、无基本功的胡涂乱抹,根本不能同傅山、徐渭、郑板桥那样的“丑书”同日而语。丑书家们所谓的探索和创新,反映了他们急功近利的商业投机心理。书法的意蕴是极其丰富的,它展现的是作者的功力、惰性、意趣、学向、人品修养。做为一个有责任的人,有良知的人,应该以一个中国人起码的道德良知,为中国书法艺术的发展做一些有益的事情,使中国书法艺术弘扬光大,而不是偃旗息鼓。
Text “ugly” the true meaning of the word: there is no cultivation of nonsense, rather than mature humor. It is a deconstruction of the arts and a pollution of the social environment, which is misleading to the younger generation if the ugliness of the ugly books is placed in them as fresh flowers. Our modern popular ugly book is not easy, no skill, no basic abuses, can not be the same with Fu Shan, Xu Wei, Zheng Banqiao that “ugly book ” the same day. The so-called explorations and innovations by ugly book writers reflect their quick-turn commercial speculation. Calligraphy implication is extremely rich, it shows the author’s skill, inertia, interest, learning, character cultivation. As a responsible person and a conscientious person, we should do something beneficial for the development of Chinese calligraphy art with a minimum of moral conscience of the Chinese people, so as to promote the Chinese calligraphy art rather than stop it.