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乡村不仅是一个地理空间,生态空间,至少在文学史上,乡村同时是一个独特的文化空间。“新时期文学”给人们打造了一个结束过去、面向未来、走向世界的崭新中国形象。而这时期小说中的乡土中国既带有新时期文学的总体特色,同时也有它独属于自己的独特面貌、内涵和形式,既不同于1950-1970年代同类题材作品那样高度意识形态化和整齐划一,也区别于1990年代以后同一领域的那种六神无主、难以命名。它所塑造的中国形象既乐观向上朝气蓬勃,又免不了带有缅怀历史时的沉痛忧伤和展望未来时的慌乱与迷惘,这正是置身全球化、现代化语境里的80年代中国的独特历史神态。
Village is not only a geographical space, ecological space, at least in the history of literature, the village at the same time is a unique cultural space. “New Period Literature ” has given people a brand new Chinese image of ending the past, facing the future and going to the world. The native China in this period of novel not only possesses the general characteristics of the new period literature but also has its unique appearance, connotation and form that are different from those of the same type of theme works of the 1950s-1970s. They are highly ideological and neat , But also different from the kind of Liushenwuzhu in the same field after the 1990s, which is hard to name. The Chinese image it shapes is both upbeat and optimistic, but it also brings with it the sad memories of the history and the confusion and confusion in the future. This is the unique historical expression of China in the 1980s in a globalized and modernized context .