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从上个世纪七十年代末(甚至可以近溯到五十年代)到现在,大陆的戏曲文学创作几乎一刻也没停止过追随时代发展的努力和探索。从内容到形式,“出新”、“创新”一直都在追赶、鞭打着戏曲文学乃至整个戏曲舞台艺术活动。就国营专业剧团的重点剧目剧本创作来说,创作探索是多种多样的,最主要的类型可以归纳为三种,一是戏曲文学的小说、话剧化,二是歌舞化,三是戏曲化。三种类型大致依次出现,现在也并存着。对这三种类型的梳理,我们也许可以从实践经验中得到一些启发。
From the late 1970s (even dating back to the 1950s) till now, the creation of opera and drama in the Mainland has hardly stopped its efforts and exploration following the development of the times for almost a moment. From content to form, “new ”, “innovation ” has been chasing, whipping the opera literature and the whole opera stage art activities. As far as the state-run theatrical troupe’s major repertory script creation is concerned, the creative exploration is diverse and the most important types can be summarized into three kinds. One is drama literature drama, dramatization, the other is song and dance, and the third is dramatization. The three types generally appear in turn, and now also exist. For these three types of carding, we may be able to get some inspiration from the practical experience.