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西方戏剧是依靠制造逼真的生活环境来再现生活的原形,重视的是再现和严格写实;而中国古典戏曲是以揭示人物的性格和内在气质为主要目的的,重视的是表现和写意。多年以来,“写实”与“写意”成为人们区分中西戏剧艺术特征的标志性词语。然而,欧阳予倩以他对中西演剧手法的谙熟和从事多年舞台生活的经验,在戏曲表演舞台中不断追求“写实”与“写意”的共通融合,从而反映出他在演剧理念上独特的美学追求。
Western drama relies on creating a vivid living environment to reproduce the original form of life, emphasizing the reproduction and strict realism. The Chinese classical opera is aimed at revealing the character and inner temperament of the characters with emphasis on performance and freehand writing. Over the years, “Realism ” and “Freehand ” have become iconic words for people to distinguish the artistic features of Chinese and Western dramas. However, Ouyang Yuqian, with his familiarity with the techniques of Chinese and Western dramas and his many years of experience in the stage, constantly pursues the common fusion of “realism ” and “freehand ” in the performance stage of the opera, Drama concept of a unique aesthetic pursuit.