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“作者电影”出现于20世纪中叶,作为法国新浪潮中一种重要的创作观念与创作思潮,影响了好几代的世界“电影人”。但在商业化的现代社会,“作者电影”已经是过时的电影名词。微电影以其超短的放映时间、超短的制作周期以及超低的投资规模成为时下最为流行的电影创作方式。“作者电影”的创作理念中,有诸多与微电影创作相似的特点,能够对微电影创作有所启发。本文通过对“作者电影”与微电影创作特点的对比分析,结合影片实例分项阐释,认为“作者电影”与微电影创作在艺术实践方面能够互相启发,相互借鉴,通过整合成“微作者电影”而获得新的生长空间。
“Author movie ” appeared in the middle of the 20th century. As an important creative concept and creative trend in the new French wave, it influenced generations of the world “movie man ”. But in a modernized commercial world, “author movie” is already an outdated film term. With its ultra-short screening time, ultra-short production cycle and ultra-low investment scale, microfilm has become the most popular movie creation mode nowadays. “Author movie ” creative concept, there are many similarities with the creation of micro-film, micro-film creation can be inspired. Through the comparative analysis of the author’s film and the characteristics of the micro-movie creation and the sub-interpretation of the film examples, this article argues that the “author’s movie” and the micro-movie creation can inspire each other and learn from each other through the integration into “Micro Author Film ” And get a new space for growth.