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在屈原的《离骚》、《九歌》中都有摹写“人神恋爱”的章节,自此“人神恋爱”成为一个深沉的文学母题。本文就将以文学史的发展为线索梳理“人神恋爱”这一文学母题在后世的流变与发展。
In Qu Yuan’s “Li Sao” and “Nine Songs”, there are chapters on “Love in Man and God”, and since then “Love in Man and God” has become a profound literary motif. This article will take the development of literary history as a clue to sort out the evolution and development of the literary motif of “Love in Man and God” in later generations.