七绝与乐府在魏晋至盛唐期间的离合关系,表现为七绝起源时曾具民间乐府的性质(未入乐),梁末定型后至初唐与乐府脱离,至唐开、天之际二者再次结合(大量入乐)。七绝的乐府化对七绝诗体的演变、数量的激增和表现手法以及语言特色等产生了全面的影响。 Qijue and Yuefu in the Wei and Jin Dynasties to the climax of the Clutch relationship, manifested as the origin of the seven gentry once had the nature of folk music (not into the music), the end of the beam to the early Tang Dynasty and the separation from the Yue, Tang Dynasty, the occasion of the occasion II Once again combined (a lot of music). Qifu’s Yuefuhua exerted an overall influence on the evolution of Qijun’s poetry, the dramatic increase in numbers, the performance technique, and the language features.