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代表着南方瓷器高度成熟的景德镇瓷器和地处中原的钧瓷无论是在釉彩、纹饰、器形上都有着或多或少的区别。特别是表现于民窑瓷器之间的区别也正代表着南北审美的不同方式和准则。纵观这些造型各异的瓷器作品,无不反映中国传统人文精神特征和深刻的民族情感。而在不同的地域和文化的差异下,瓷器本身所呈现出的造型语言差异更是对现代设计中情感设计的体现提供的强有力的思想支撑。
Representing the highly mature porcelain of southern China, Jingdezhen porcelain and the Jun porcelain located in the Central Plains have more or less distinctions in glaze, ornamentation and shape. In particular, the difference between the kilns and porcelain represented by the Kiln also represents different ways and guidelines for the aesthetic of the North and South. Throughout these different styles of porcelain works, all reflect the characteristics of traditional Chinese humanistic spirit and profound national emotion. However, in different geographical and cultural differences, the stylistic language differences presented by porcelain itself are more powerful ideological supports for the design of emotion in modern design.