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被称之为“导演戏剧”或“形体戏剧”的演出势头已从首都舞台伸向各省市舞台。这种强调导演主体意识的戏剧,对编剧、导演、表演都提出了新的要求。它受到了广大戏剧工作者和观众的关注,人们对这个问题的见解、感受也不尽一致。大家关心的事情,大家来讨论。本刊这期发表童道明、高惠彬同志两篇文章,就是这一争鸣的开端。欢迎戏剧工作者参加讨论,踊跃来稿。
The momentum of the show, known as “director drama” or “physical drama,” has reached the stage of the provinces and cities from the stage of the capital. This drama, which emphasizes the main body of the director’s consciousness, poses new requirements to screenwriters, directors and performances. It has been the concern of the majority of theater workers and audiences, people’s views on this issue, the feelings are not the same. We are concerned about things, everyone to discuss. The publication of this issue Tongdao Ming, Comrade Gao Huibin two articles, is the beginning of this debate. Theater workers are welcome to participate in the discussion.