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随着电影研究逐渐转向“文本产业文化”的多元化现照,青年亚文化理论视角也作为一种方法论体系,介入到当代英国电影研究的操作实践中。而电影美学层面与青年亚文化的关联所在,则是当代英国电影研究中尚欠深入探究的方向之一。在已有研究及反思的基础上,当下英国电影研究中青年亚文化理论的运用,一方面连一步强调身份、风格的多元流动性:另一方面则立足于对后现代阐释模式的反思,走向对地方、历史的再度考量。
With the diversification of cinema research towards “cultural industry of culture”, the perspective of young subculture theory is also used as a methodology to intervene in the operational practice of contemporary British cinema studies. The relationship between the film aesthetics level and the youth subculture is one of the directions that contemporary English film studies still lack in-depth exploration. On the basis of the existing researches and introspection, the application of the youth subculture theory in British cinema research at the moment emphasizes the diversification of identities and styles, on the one hand, and on the other hand, based on the reflection and direction of the postmodern interpretation model Reconsideration of the place and history.