当胡枫第一次将《东方文化周刊》摆在案头的时候,我就为其精湛的图文所吸引。而他说将要做其《月末》版的时候,我更为之怦然心动。初夏的傍晚,胡枫与我在江苏连云港一座滨海小镇的写字楼上,相对而坐。一本《月末》在手,一面品味山泉新煎的春芽,一面俯瞰华灯初上的港湾,恍惚间,一个个胸怀秦风汉韵的东方之子飘然而至,凝神处,数段连云港中外文化交流的历史画卷,次第展开。看那位身着袈裟的僧侣,告别西域繁华,自中亚康居国,沿丝绸之路一路跋涉而来。他是谁? When Hu Feng for the first time put “Eastern Culture Weekly” on the desk, I was attracted by her superb graphic. And he said he was about to do its “end of month” version of the time, I even more impatient. In the early summer of the summer, Hu Feng and I sat opposite the office building in a coastal town in Lianyungang, Jiangsu Province. One at the end of the month in hand, savory fresh spring buds taste side overlooking the lantern at the beginning of the harbor, trance, one by one with the heart of the Qin Qin Han Yun oriental child floating to the sky, the Department of Lianyungang cultural exchanges between the history of the picture , The first expansion. Look at the monk who is dressed in coy, bid farewell to the bustling Western Regions, from Kangnai in Central Asia, trekking along the Silk Road. Who is he?