由多媒体时代快速演化到现在的自媒体时代,影视科技的每次变革出新都在让原本不属于大众的精英艺术之间的鸿沟边界越加模糊。瓦尔特·本雅明在电视业尚未出现的74年前,便预测了机械复制时代下的艺术带来的影响;赫伯特·马尔库塞在其《单向度的人》一书中也阐述自己对于发达工业社会如何导致人们内心中的否定性、批判性、超越性的向度,通过对《机械复制时代的艺术作品+单向度的人》的阅读,试分析当下影视科技的哲学反思。 From the era of multimedia to the present era of self-media, every revolution in video technology is blurring the boundaries of the gulf between elite arts that were not part of the general public. Walter Benjamin predicted the impact of art under the age of mechanical copying 74 years before the television industry appeared; Herbert Marcuse, in his book One Direction, also describes How to Make Developed Industrial Society Cause Negative, Critical and Transcendental Attitude in the Innermost of Society, Trying to Analyze the Current Philosophical Reflections on Film and Television Science and Technology by Reading “The Work of Art in the Age of Mechanical Copy and One Dimensional Man” .