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在当代中国文学环境下,史铁生的文学书写显得别具一格:格外倾向于个人主义书写,注重个人内心体验与情感表达,然又因其思想具有足够的深刻性从而获得一种普适性,可以说,他在他的作品中完成了由内而外和由外而内两个维度上的双向自洽。不得不说,这种思考本质上就是悲壮的。无论是语言风格体现的悲剧兴味、意象选择中的悲剧意识,还是说主旨主题深化下的悲剧性外化,无一不能还原一个真正生而为人的史铁生。
In the context of contemporary Chinese literature, Shi Tie-sheng’s literary writing is unique: it is exceptionally inclined to individualistic writing and personal inner experience and emotional expression, and yet, because of its profound enoughness of thought, In his works, he accomplished two-way self-consistency in two dimensions: inside out and outside. Have to say that this thinking is inherently tragic. Whether it is the tragedy interest expressed by the language style, the tragedy consciousness in the image selection, or the tragic externalization under the theme of deepening the theme, all can truly restore a real born human.