迄今为止,为中国近代美学思想撰史的专著还是不多见的。聂振斌著《中国近代美学思想史》①对中国近代美学的研究对象与方法、历史分期、思想来源、基本特征等问题进行了系统论述介绍了各阶段代表人物的主要美学思想。通观全书,有不少独到之处。一、作者以功利主义美学和超功利主义美学的矛盾和互补为全书的逻辑线索,建构全书的框架,这就与过去以哲学上的唯物与唯心的斗争,乃至以政治上的阶级斗争为线索来写历史就有很大的不同。 So far, monographs on the history of Chinese modern aesthetics still remain rare. Nie Zhenbin, “The History of Modern Chinese Aesthetic Thought” ①This article systematically discusses the research object and method, historical staging, origin and basic characteristics of Chinese modern aesthetics, and introduces the main aesthetic ideas of representative persons in all stages. Throughout the book, there are many unique features. First, the author constructs the framework of the whole book based on the logical clues of the utilitarian aesthetics and the ultra-utilitarian aesthetics as the logic clues of the book. This is in line with the past struggle against the philosophical materialism and idealism and even on the political class struggle To write history there is a big difference.