论文部分内容阅读
武侠片是研究世风的,因为某一世风变了,人物进入礼崩乐坏的危机中,最终以某种委婉的方式将要消亡的东西保留下来。这是徐皓蜂设想的武侠片的故事模式1912年,天津出现民国第一家武馆。1932年,天津仍是武术之都。各地小拳种入天津搏名,风气未衰。这,便是电影《师父》片头的旁白,寥寥三两句,民国武林的背景跃然纸上。《师父》是徐皓峰导演的第三部作品。这是一个称之为武行的江湖,按徐皓峰自己的解释,在他的作品里,没有浪漫的侠文化,而是描
The martial arts film is a study of the Eocene, for a certain ebb had changed, and the characters entered the crisis of etiquette and benevolence, eventually preserving what was to die in some euphemism. This is the story mode of the martial arts movie Xu Hao bee conceived 1912, Tianjin, the first martial arts appeared in the Republic of China. In 1932, Tianjin was still the martial arts capital. Chuanchuan into Tianjin around the names, the atmosphere is not bad. This is the narration of the title “Master” in the film, with only a few words or two. The background of the Republic of China martial arts flourishes on paper. Master is the third work directed by Xu Hao Feng. This is a so-called martial arts arena, according to Xu Hao Feng’s own explanation, in his works, there is no romantic Xia culture, but the description