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从对早期中国墓室壁画和石窟壁画的源起、特点及其艺术风格的考量中可以了解到中国绘画的发展历程。两汉厚葬风气的盛行造就了墓室壁画的发达,而三国两晋时代社会的衰微却间接造就了佛教石窟壁画的兴盛。两者一为纯然中国式的艺术风格,一为来自异域的艺术样式。它们虽然在精神追求和艺术风格上有很大的不同,但却在后世中国的艺术发展中交相影响着中国传统美术的精神风貌和艺术技巧,也间接成为了中国传统绘画两大风格流派的前身。
From the origins, characteristics and artistic styles of early tomb murals and cave paintings in China, we can understand the development of Chinese painting. The prevalence of burial ethnics in Han Dynasties led to the development of tomb murals. However, the decline of society in the Three Kingdoms and Jin dynasties indirectly contributed to the prosperity of Buddhist cave mural paintings. Both one purely Chinese style of art, one from exotic art style. Although they have great differences in spiritual pursuits and artistic styles, they exert their influence on the spiritual appearance and artistic skills of Chinese traditional art in later generations of Chinese art development. They indirectly become the schools of the two major styles of Chinese traditional painting Predecessor.