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在当今,我们所需要的是建立在现代美学及其最新研究成果之上的、以书法理论为指导的、以书法艺术发展史为参照体系的、方法上多种多样的书法批评。书法批评的范围极广,但它的主要指向则在于书法作品和书法作者二者,而二者之间在批评中又是不能完全割裂开来的。书法批评的接受者及其作用的对象大致包括广大的
What we need today is a variety of calligraphic criticisms based on modern aesthetics and its latest research results, guided by the theory of calligraphy and based on the history of the development of calligraphy. Calligraphy criticism is extremely broad in scope, but its main orientation lies in both calligraphy and calligraphy authors, and the two can not be completely separated from each other in criticism. The recipients of calligraphic criticism and their role generally include a wide range of