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数字时代,艺术作品借助网络得到了广泛的生产与传播,然而艺术批评却在网络空间中“失语”。批评家应介入网络发言。网络空间给艺术批评带来了前所未有的“空间”冲击,艺术批评必须相应地“转向”。网络空间带来了人群效应,批评主体应从立法者转变为阐释者;网络空间带来了海量的艺术对象,批评家可采用寓言式批评与整体性研究的方法面对这种认知困境;网络空间让话语方式由独白走向了交互,艺术批评必须建立一种新的交流性的语言。
In the digital age, art works have been widely produced and disseminated through the Internet. However, art criticism is “aphasia” in cyberspace. Critics should be involved in the internet. Cyberspace has brought an unprecedented “space” impact on artistic criticism, and art criticism must accordingly “shift to”. Cyberspace has brought the crowd effect, the main body of criticism should change from the legislator to the interpreter; the cyberspace has brought a large amount of artistic objects, and the critics can face the cognitive predicament by means of allegorical criticism and holistic research; Space allows the way of discourse from monologue to interaction, and artistic criticism must establish a new communicative language.