《中国花卉盆景》2003年第8期48页,第9期封3和第10期封4连续发表了题为《纤夫》,《历尽沧桑仍矫健》、《古韵春辉》三幅盆景摄影作品,一次又一次拨动了笔者的心弦。作品的共同之处是各自采用不同的造型手法,奏出了抗争、奋进、向上的生命之歌。《纤夫》可算是一象形盆景,十分简练。为了真实地反映纤夫的动态,作者有意将主干下面的两条主根提起并斜栽,尽量让全株树的重心落在盆外,这是作品的点睛之笔。为什么它没有翻倒?哦,背上有一条无形的绳在拉着它。不!应该是它拉着那条绳在艰难然而又是坚定地一步一步向前进。多少个严 “China Flower Bonsai” 2003 eighth period 48 pages, the first 9 and the closure of seal Feng 4 consecutive published entitled entitled “Trackers”, “has experienced the vicissitudes of life is still vigorous”, “Ancient Chun Chunhui” three bonsai photographic works , Again and again dial the author’s heart. What they have in common is that they each adopt different modeling techniques and play the song of life that is fighting, progressive and progressive. “Trackers” can be regarded as a pictogram bonsai, very concise. In order to truly reflect the trackers’ dynamics, the author intends to lift and slant the two main roots under the main trunk as far as possible so that the center of gravity of the whole tree falls outside the basin. This is the crowning touch of the work. Why did not it fall over? Oh, there is an invisible rope on the back holding it. No! It should be a hard but steady move by the rope. How many strict