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南宋魏庆之的《诗人玉屑》是和北宋胡仔的《苕溪渔隐丛话》齐名的一部诗话。从中我们可以获得关于诗歌发展的轮廓及有关诗歌体裁的知识,是研究中国诗歌史的重要参考资料。因此一直以来,学者们对《诗人玉屑》的关注重点始终在于其的诗话部分,对于其卷二十一所涉及的词话内容则关注不多。笔者认为,虽然篇幅较为短小,但《诗人玉屑》卷二一的辑录仍然是对魏庆之词学思想的一个较为完整清晰的展现,值得我们加以探寻。本文通过对《诗人玉屑》第二十一卷的分析,指出了魏庆之注重词的意境美,强调词的形式美的词学思想,以及他对于词作品的实事求是批评态度。
Southern Song Wei Qing’s “poet jade pieces” and the Northern Song Dynasty Hu Tsai, “Sui River fishing hidden Conghu,” a famous poem. From which we can get the outline of the development of poetry and the genre of poetry, is an important reference for the study of the history of Chinese poetry. Therefore, scholars have always focused their attention on the “poet jade pieces” in the poetry part of the poet, and paid little attention to the contents of the twenty-one words involved in the volume. Although the length of space is rather short, the author thinks that the compilation of Volume II of “The Poet and Jade Pieces” is still a relatively complete and clear demonstration of Wei Qingzhi’s Ci-poetry thought, which we should explore. Through the analysis of the twenty-first volume of “The poet jade crumbs”, this paper points out Wei Qingzhi’s beauty of the artistic conception of the Ci, emphasizing the Ci-poetry thought of the formal beauty of the Ci and his realistic and critical attitude toward Ci works.