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马克思在《黑格尔法哲学批判导言》中阐述了自己的喜剧理论,这里面也隐藏着他的历史决定论的思想,波普尔对此有过强烈的批判,这种批判其实是一种误读,马克思的历史决定论是动态的、辩证的,也没有轻视主体选择的意义。在这样一个历史底蕴的基础上再比较马克思喜剧理论与亚里士多德、黑格尔喜剧理论的区别,证明马克思喜剧理论的特殊内涵。
In the Introduction to Critique of Hegel’s Philosophy of Law, Marx elaborated his theory of comedy, which also hides his historical determinism, and Popper criticized it strongly. This criticism is indeed a mistake Reading, Marx’s historical determinism is dynamic, dialectical, nor does it underestimate the significance of the subject’s choice. On the basis of such a historical background, this article compares the differences between Marx’s comedy theory and Aristotle’s and Hegel’s comedy theory to prove the special connotation of Marx’s comedy theory.