弁言黄牧甫是近代印坛开宗立派的人物,他自幼受家庭熏陶学习诗礼之余捉刀篆刻,后遍学明清诸名家而不为门户所拘,在篆刻上体悟并积蓄着艺术养分。他的伎艺、好学、品性、学识为其人生带来了机遇,他开始与更多的名流、知识分子接触,最终以一介布衣游于卿相间,与著名金石学家为伍投入到清末的金石学大潮中。他以渊博的修养上追三代金吉金、秦汉古迹化为己用,成一代篆刻宗师,对后世印人影响巨大而成“黟山派”。 Myths Huangmufu is the founder of modern Indian altar figures, he was influenced by the family learning poetry ceremony since childhood Catch the knife and chopper, after Ming and Qing dynasties and not for the door of the arrests, in carving understanding and savings of artistic nutrients . His artfulness, studiousness, character and knowledge brought opportunities for his life. He began to contact more celebrities and intellectuals and finally went to the Qing Dynasty with his commoner, and joined the famous stone experts into the pedestal of the late Qing Dynasty Tide in. His profound cultivation of the three generations of Jin Jijin, Qin and Han Dynasties into one’s own use, a generation of carving master, a tremendous influence on the later Indian made .