新版《倩女幽魂》是一个爱欲交织的现代性文本。爱情与欲望在电影中相继登场。它们在电影中是一对矛盾性的存在:既互相映衬,又彼此疏离。糖果在爱情和欲望之间扮演了一个双重角色。它既是牵着红线的月老,又是欲望的物化象征物。进一步分析,电影中的爱欲交织带有浓重的现代性色彩,既暗示了人类追求自由的永恒主题,又折射了消费社会到来的主体沦落。 The new version of “Ghost Story” is an intertwined modern text. Love and desire have appeared in the movie one after another. They are a contradictory existence in the film: they are both silhouetted and alienated from each other. Candy plays a dual role between love and desire. It is not only the old man holding the red line, but also the materialized symbol of desire. Further analysis, the film intertwined with a strong desire for modernity, not only implies the eternal theme of human pursuit of freedom, but also reflects the arrival of the consumer society reduced the subject.