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史诗作为一种专门歌颂英雄的文学样式,其主人公几乎无一例外的都是男性,女性在其中出现的很少,即使有,也是作为男性的私有财产和附庸。但是,亚美尼亚史诗《萨逊的大卫》在成功塑造萨逊族四代男性巨人英雄的同时,刻画了多位性格鲜明的女性形象。这在史诗史上是非常少见的。本文试图通过对史诗中几位女性形象的分析,透过史诗表面对女性的正面书写,探索史诗深层意义链上男性对女性世界的想像和价值判断,及男性以性别面具的方式曲折地诉说着的对自我性别的确认、反思、期待。
As a kind of literary style devoted to praising heroes, epic poems are almost always male without any exception. Females rarely appear in them and, if there is, they are also private property and vassal of men. However, the Armenian epic David of Sason, while successfully shaping the heroic heroes of the four generations of the Saxon tribes, portrayed a number of distinctive female images. This is very rare in epic history. This essay tries to explore the masculine imagination and value judgments on the female world through the analysis of several female images in epic poems through the epic surface of the positive writing of women, and the twists and turns of the male in the way of gender masks Confirmation, reflection and expectation of self-gender.