论文部分内容阅读
关于古代墓葬中的画品,总有一个问题挥之不去:画是要给人看的,将它们置于密封的墓室,除了死者之外没有人看得见,这样做有何意义呢?与此相联系,墓主人必然是绘画所预设的欣赏者吗?湖南省长沙市马王堆一号墓和三号墓所发现的遗物或许为此类问题给出了答案。这两座墓葬的年代可追溯到公元前二世纪,与二十世纪七十年代发现的轪侯(卒于公元前一八六年)墓(二号墓)相关,墓中遗物分别属于轪侯夫人(卒于公元前一六八年之后)和她的儿子(卒于公元前一六八年)。本文要讨论的画作
There is always a lingering question about the paintings in the ancient tombs: the painting is to be given to people, and what is the point of placing them in a sealed tomb without anyone being able to see except the dead? In connection with this, is the owner of the tomb inevitably the presenter of paintings? The relics found in the first and the third tomb of Mawangdui in Changsha City, Hunan Province may give answers to such questions. The two tombs date back to the second century BC and are related to the Tomb (Tomb No. 2) discovered in the 1970s and the relics in the tomb respectively Lady (died in 168 BC) and her son (died in 168 BC). This article will discuss the paintings