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本文借由“以线造型”为视点,叙事中国山水画流变,深入研析作为造型语素的线,其审美学理的特殊性;运用比较研究法从中西绘画入手,对比线造型在两种绘画语言中的成因及特点,深入浅出,论证辨析,力图梳理以线造型对于山水画的重要意义;另一方面,笔者在理论框架上完善和丰富了对山水画哲学背景的有趣探讨,坚持山水画审美趣味的品质,提出以古开今,继往开来的观点。
In this paper, we focus on the change of Chinese landscape painting through the perspective of “line modeling”, deeply analyze the particularity of the line of modeling morpheme and its aesthetic theory, and use the comparative research method to start from the Chinese and western paintings, On the other hand, the author perfected and enriched the philosophical background of landscape painting in the theoretical framework, and insisted on the aesthetic taste of landscape painting Quality, put forward to ancient times, the future perspective.