郑正秋通过拒绝外稿的方式,使其主持的剧评专栏事实上成为他的个人专栏,成为职业剧评的滥觞。郑氏虽然很少言及其剧评理念,但他在剧评实践中显露出来的“立公平之言”剧评原则、“社会教育”与“雅俗共赏”并重的剧评立场,远超同时代的剧评家。尤其是郑正秋对剧评“一致性”的强调,显露出其建构自身剧评体系的理论自觉,对推动传统剧评的现代发展意义重大。 Zheng Zhengqiu rejected the manuscript by way of the drama column which he presided over actually became his personal column and became the sole originator of the drama. Though rarely mentioned his concept of drama critics, Zheng shows his dramatic criticism in the practice of drama criticism: “the principle of fairness”, “the principle of drama criticism,” “social education”, and “the taste of elegance and vulgarity” , Far more than contemporary drama critics. In particular, Zheng Zhengqiu’s emphasis on drama criticism “Consistency ” reveals its theoretical consciousness of constructing its own system of drama criticism, which is of great significance to promoting the modern development of traditional drama criticism.