赵孟頫讲临帖之法:“欲肆不得肆,欲谨不得谨;然与其肆也宁谨,非善书者莫能知也。”道出临摹的关键,即“度”的把握问题。就其临古书迹看,以王羲之《兰亭序》《十七帖》《黄庭经》等临作为代表,在转“刀”为“笔”的书写性临摹中,实践了度越唐宋、返求魏晋的书学主旨,成为“右军法嫡”的集大成者;也有论者以为赵孟頫对王羲之的摹学是烙守家法,甚至有 Zhao Mengtou talked about the law of temporary cards: “For wantonly not wantonly, just as forgiveness; However, it is not forgiveness, for non-good bookkeeper.” “The key point of copying is” grasping “problem . As for the ancient inscriptions, Wang Xizhi’s ”Lanting Preface“, ”Seventeen Posts“ and ”Huang Tingjing“ are represented as examples. In the written copy of ”Dao“ Song, seeking back to the thrust of the calligraphy of the Wei and Jin Dynasties, became the master of the ”Right Military Methodology"; also some critics think that Zhao Meng-fei on Wang Xizhi’s copy is defending the Shou law, and even