As the autumn gradually goes by, comments and reviews of the summer period films began to flourish. Positive ones give preference to Hollywood blockbusters such as Harry Porter, The Bourn Ultimatum and some others, negative comments, being unanimous and quantitative, target the Chinese-made films as generally secondary, less dramatic and boring. （Kilday,2007） The latter comments, though not totally correct, still sounds reasonable. Take the summer period box office for example, the total ticket office in North America is 4.3 billion dollars while it is 1 billion RMB in mainland China among which the imported films take up almost half. （Bai Qing,2007）Facing such a sharp contrast, we can do nothing but admit objectively that Chinese film industry still has a long way to go.