创造具有中国气派的油画,是中国好几代油画家的宿愿.例如著名油画家徐悲鸿、董希文、罗工柳等人就作过极有意义的艺术探索,也取得了相当的成就.这些艺术家都强调艺术要反映实际生活,重视艺术的教育功能,而且都遵循着现实主义的创作原则.只不过有的从西方古典主义,有的从俄罗斯巡回画派发展而来.我们可以推想,如果没有无产阶级文化大革命,他们所开创的一条油画之路,本应形成更大气候的.然而,历史并不讲“如果”,它始终以自己的步伐前进着,于是便使创造具有中国气派的油画,开始朝着一个新的方向发展.这一点,就是文革中十分活跃的油画家也未必有所意识.他们只是在政治与新艺术标准的压力下,不断偏离苏联的创作模式.结果竟意外地创造了具有中国气派的新型油画.的确,从纯粹的油画技法标准看问题,文化大革命前一些老画家与近年来一些优秀年轻画家的作品,要比文革油画地道得多.因为在文革期间从事油画创作的一批 For example, the well-known oil painters Xu Beihong, Dong Xiwen, Luo Gongliu and others made remarkable artistic explorations and made considerable achievements. These artists all emphasized the importance of creating oil paintings with Chinese style. Art should reflect the actual life, attach importance to the educational function of art, and follow the creative principle of realism.Only from western classicism, some developed from the Russian circuit school.We can imagine that without the proletariat In the Cultural Revolution, the painting road they pioneered should have become more climate. However, history does not say “if” and it has always proceeded at its own pace so that it can create oil paintings with Chinese style and begin to A new direction for development.This is not very conscious of the very active oil painters in the Cultural Revolution.They are constantly deviating from the Soviet model of creation under the pressure of political and art nouveau standards.The results actually unexpectedly created a It is true that from the standards of pure oil painting techniques, some old painters before the Cultural Revolution and some excellent artists in recent years The young painters show much more works than the oil paintings of the Cultural Revolution because a group engaged in the creation of oil paintings during the Cultural Revolution