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新诗大众化诉求是抗战时期新诗理论批评的时代最强音。“激进型”、“传统型”和“综合型”的现实主义诗论从不同侧面体现了这种要求。“激进的现实主义”诗论主要围绕朗诵诗、街头诗、方言诗、叙事诗、新诗的民族形式、现代政治讽刺诗和“九叶派”等问题展开过论争,在许多问题上,表现出“旧错误和新偏向”。实质上,它们都着眼于新诗大众化以及如何更好地为现实斗争与救亡图存服务。“传统的现实主义”诗论则潜心于对新诗现实主义精神及其艺术规律的探讨。而综合性的“体验的现实主义”诗论强调创作主体与创作客体之间相生相克。它们共同推进了40年代现实主义诗论的发展和深化。
The popularization of new poetry is the strongest voice in the era of the theory of new poetry during the War of Resistance Against Japan. Realistic poetics of “radical”, “traditional” and “general” embody this requirement from different aspects. “Radical Realism ” Poetics mainly focuses on the issues of reciting poems, street poems, dialect poems, narrative poems and new poems, modern political satire poems and the “Nine Leaves School”. On many issues , Showing “old mistakes and new bias.” In essence, they all focus on the popularization of new poetry and how to better serve the reality of struggle and national salvation. “Traditional Realism ” Poetics is devoted to discussing the spirit of new realism and its artistic rules. The comprehensive “realism of experience ” poetics emphasizes the mutualism between the subject of creation and the object of creation. Together, they promoted the development and deepening of the Poetics of Realism in the 1940s.