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话剧剧本的人物对话和舞台提示犹如一个硬币的两面，是一个有机的整体。作为中国话剧艺术成熟标志的《雷雨》在舞台提示方面取得了很大成就。然而研究者对此关注甚少。《雷雨》的背景说明在以虚写意、虚实相生的同时，通过其蕴藏的强大的艺术张力有力地推动了前台戏剧的发展；人物说明则以其整体上的含蓄深远与细节上的真实生动相结合，为戏剧人物复杂性格作了准确定位，同时也给演员、读者提供了无限的再创造空间。《雷雨》的第二文本与第一文本达到了虚实相得相生的艺术效果。
Character scripts and stage cues for drama scripts are like two sides of a coin, an organic whole. “Thunderstorm”, a symbol of the maturity of Chinese drama, has made great achievements in stage prompting. However, researchers have paid little attention to it. The background description of “Thunderstorm” strongly promoted the development of the foreground drama through its powerful artistic tension, while the imaginary and actual situation of the thunderstorm played an important role in its development. Combined with the complex character of the dramatic figure made accurate positioning, but also to the actor, the reader provides unlimited recreation space. The second text of “Thunderstorm” and the first text reached the artistic effect of combining the actual situation and the actual situation.