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我和于恩东是同乡,因书法结缘,共同的精神追求和同样的书法工作者岗位,使我俩走在了一起,成为同路人。恩东中学时即醉心翰墨,临习唐楷,并随抚顺书法家干溥洗教授学习草书。一九九五年参加全国书法创作培训班,受教于聂成文、黄悖等书法名家。他受“一王”影响,尤攻《圣教序》、《丧乱帖》等法帖,注重书法笔画的灵动变化,体味笔墨的飘逸神采。他将个人的艺术涵养融化到书法之中,作品具有浓浓的书卷气。他的作品于文静中求强烈,单纯中求丰富,质朴中求洒脱,机巧中求性情。他带着这种
I and Yu Endong are fellow countrymen, and because of the calligraphy, the common spiritual pursuit and the same posts of calligraphists, we are all walking together and becoming fellow travelers. Endong Middle School that is drunk, practice Tang Kai, and with the Shunhua calligrapher Professor Pu study dry cursive. In 1995 to participate in the national calligraphy training courses, taught in Nie Chengwen, Huangbi and other calligraphy masters. He was influenced by “a king ”, especially attacking the Fateh, such as “Holy Preface” and “mourning post”, focusing on the smart changes of calligraphic strokes and comprehending the graceful appearance of his ink and brush. He melts his personal artistic connotation into calligraphy and his works have a strong bookishness. In his works, his works seek strong, simple seeking for abundance, prudence and simplicity, striving for empathy. He takes this