《列女传》每篇传记后都有一篇颂,形式为四言八句,极为整齐规律。经过逐篇与传记原文进行对照,可以发现颂的主体是叙事,是对所属传记的缩写。又对照史书中记载西汉宫廷内多有列女主题故事绘画的存在,且后代汉画像石中列女主题故事也附有介绍人物身份的文字说明。可以推断出《列女传》中的颂,极有可能是与《列女传》相配合图画的文字说明。图画与文字相配合,是为了更好地完成劝诫君王及后宫的目的。 There is an eulogy after each biography in “The Biography of the Epitaph”, in the form of four sentences and eight sentences, which is extremely neat and regular. After comparing the texts with the original texts, we can find that the main body of Ode is narration, which is the abbreviation of the biography. In contrast with the history books recorded in the Western Han court there is more than the story of the existence of column woman painting, and the descendant of Han stone portrait female column also contains a text description of the identity of the characters. It can be inferred that the Ode in “The Biography of the Legs” is most likely to be a textual illustration that matches with the “Le series”. The picture and the text are matched in order to better accomplish the purpose of exhorting kings and harem.