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朱湘作为新诗运动的一名有力推动者,其短暂的一生虽只留下寥寥几本诗集,却蕴含了独特的诗学理念,对探索新诗的创作贡献颇大。相较于同时代的“外国化”诗歌,朱湘的诗呈现出了东方独特的温柔敦厚之美。正因在中西、古今不同文化之间的探索,其诗兼具诗形之美与诗情之美。本文以其最具代表性的诗歌——《采莲曲》为例,对其诗的音乐之美、意境之美与诗情之美三方面试探析之。
As a powerful promoter of the New Poetry Movement, Zhu Xiang, with only a handful of poems left in his brief life, possesses unique concepts of poetics and contributes significantly to the exploration of new poems. Compared with contemporary “foreignization” poetry, Zhu Xiang’s poems show the unique and gentle oriental beauty. Precisely because of the exploration between Chinese and Western cultures and between ancient and modern cultures, the poem has both the beauty of poetry and the beauty of poetry. Taking the most representative poem, “Pian Lian Qu” as an example, this paper attempts to explore and analyze the beauty of music, the beauty of artistic conception and the beauty of poetic poetry.