出版社:南京大学出版社出版年:2009年5月版这或许是一个常识:艺术作品应该有各种各样的理解。人们不应该只将一种单独的意义——比如说,作者赋予给作品的意义——限定在艺术作品之中。如果人们相信艺术作品只有一种意义,这样的作品很快就会被这唯一的意义所牢牢地束缚住,最终,它导致作品本身的僵化和死亡。一个观看者只要认定自己掌握一部作品的唯一真理,无论他对这部作品评价多高,他最终也将扼杀这个作品。对于一个作品而言,它期待着源源不断的新意义 Publisher: Nanjing University Press Publication Year: May 2009 Version This may be a common sense: works of art should have a variety of understanding. One should not confine only a single meaning - for example, to the meaning given to the work by the author - to the work of art. If people believe that there is only one meaning of a work of art, such a work will soon be firmly bound by this unique meaning. Eventually, it will lead to the rigidity and death of the work itself. As long as a viewer identifies himself as the only truth in a work, no matter how high he evaluates the work, he will eventually kill the work. For a work, it is looking forward to a steady stream of new meanings