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20世纪的中国美术面临传统与现代、东方与西方的挑战和冲击,发生了深刻的变革,但中国的这个“当下”并未引起西方艺术史界的足够重视,正如英国牛津大学教授迈克尔·苏立文(Michael Sullivan)在其著述《20世纪中国艺术与艺术家》~([1])序言中所说:“对中国现代艺术的研究与鉴赏是非常晚近才开始的。1959年,当我出版西方语言中的第一部研究此课题的专著时,西方同行们批评我为一个不值得严肃对待的课题浪费时
In the 20th century, Chinese art was facing the challenges and shocks of tradition and modernity, the East and the West, and profound changes took place. However, this ”present “ in China did not attract enough attention from the western art historians. As Michael Oxford, professor at the University of Oxford, · In his preface to ”The 20th Century Chinese Art and Artists“ ~ ([1]), Michael Sullivan said: ”The study and appreciation of modern Chinese art was very recently begun. In 1959, when I When the first book in the Western language to study this topic was published, Western colleagues criticized me as a waste that was not worth serious consideration